Neoliberalism and Global Cinema (2011).
This paper examines the political and aesthetic implications of Grupo Chaski’s films in the context of Peruvian culture and identity. It discusses how the group addresses the legacies of colonialism, the struggles of indigenous communities, and the impacts of urban migration through their unique cinematic style, termed ‘aesthetics of survival.’
The analysis also highlights the collective’s grassroots distribution methods and their commitment to communicating social issues within Peru.
Key takeaways
- Grupo Chaski’s films challenge neoliberalism by highlighting urban disenfranchisement and promoting civic engagement.
- Their notable films include ‘Gregorio’ (1984), viewed by over 7.5 million on Peruvian television.
- Chaski emphasizes an ‘aesthetics of survival’ that reflects marginalized communities’ resilience and agency.
- The microcines project aims to create community-driven film screenings across Peru, promoting local participation.
- Chaski’s approach critiques dominant narratives and advocates for a cinema that reflects authentic social experiences.
